天体主义十分钟

　　位于东京的某区，山野一家三口过着富庶自在的生活。2010年9月3日，姐姐春花（青山伦子 饰）从美国归来，此前她在旅行中遭遇一场车祸，致令双腿严重骨折。弟弟幸一（中村苍 饰）是个开朗阳光的大男孩，他拿着新买的摄像机拍下了山野家生活的点点滴滴。由于父亲公务繁忙，平时只有姐弟二人在家。平静的日子并未持续太久，一丝不安便在屋子内肆意弥漫。春花发现，每当次日醒来床边的轮椅便会发生移动。为了探明真相，幸一决定在姐姐的卧房内安置摄像机，监控夜晚的情况。在屏幕前，不可思议的景象接连发生，姐弟俩似乎也陷入恶魔的诅咒中，无法逃脱……　　本片为恐怖片《鬼影实录》的日本版。

　　哈瑞（杰瑞德·莱托 Jared Leto 饰）和玛丽安（詹妮弗·康纳利 Jennifer Connelly 饰）彼此相爱，梦想着开个服装店，梦想着有个美好的明天。然而他们都离不开毒品，并想着以销毒赚得第一桶金。哈瑞的母亲是个彻底的电视迷，最大的梦想是上电视，为此不顾年迈吞食减肥药。由于药品里的毒品成分，她渐渐上了瘾。哈瑞的朋友狄龙（马龙·韦恩斯 Marlon Wayans 饰）同样是个瘾君子，为了挣大钱加入了黑社会。为了梦想，他们努力着，却一步步深陷毒品难以自拔。 哈瑞的胳膊因注射毒品感染而被割去；玛丽安为了毒品出卖肉体和自尊；哈瑞的母亲最终住进了精神病院受尽折磨；狄龙锒铛入狱。当视线变得模糊，梦在遥远处呼唤，迷失的人该以怎样的姿态安抚自己的灵魂。

　　In a small rural community local police officers Zoe and Patrick begin their shift as normal but it soon becomes clear that something is wrong. Strange events unfold before their eyes, residents begin behaving strangely and mass suicide panic spreads amongst the community they are trying to protect. Zoe and Patrick realise they are under siege from alien machines as they become cut off from the outside world. They are forced to do battle against these uninvited visitors. With the help of some of the residents Zoe and Patrick begin unravelling the mystery and soon discover it is not all as it seems. Can Zoe and Patrick save their community and the outside world from extinction?　　在一个小的农村社区，当地警察佐伊和帕特里克开始正常换班，但很快就清楚出了问题。奇怪的事情展现在他们眼前，居民开始奇怪的行为，大规模的自杀恐慌在他们试图保护的社区中蔓延。佐伊和帕特里克意识到，当他们与外界隔绝时，他们正受到外来机器的围攻。他们被迫与这些不速之客作战。在一些居民的帮助下，佐伊和帕特里克开始解开这个谜团，很快发现它并不像看上去的那样。佐伊和帕特里克能拯救他们的社区和外部世界免于灭绝吗？

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.